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Innocent Traitor by Alison Weir

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Post by ejays17 » Thu September 17th, 2009, 2:13 pm

I've just finished this book, and enjoyed it thoroughly.

I liked the "head-hopping", it gives more of an insight into what people are thinking/planning than the more usual 3rd person narrative.
I also found Jane's precociousness at the beginning of the book a bit unnerving - it was hard to reconcile her "thoughts" with the actual age she was written as.

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Post by Nefret » Sun September 20th, 2009, 2:50 am

Have decided to read this for a while. The many characters makes it more interesting. But I get confused if I forget who's telling their story. Over all I am enjoying it though. (It was the first Tudor novel I ever bought.)
Last edited by Nefret on Sun September 20th, 2009, 2:53 am, edited 1 time in total.

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Post by Carla » Tue July 5th, 2011, 10:57 am

Here's my review:

Edition reviewed: Arrow, 2007, ISBN 978-0-09-949379-2

Alison Weir is best known for her historical biographies, and Innocent Traitor is her first historical novel. It tells the story of Lady Jane Grey, the ‘Nine Day Queen’, from her birth to her death. All the main characters are historical.

Tudor England was a turbulent place for those who lived near to the throne, and Lady Jane Grey was nearer than most. Her mother, Frances, was the daughter of Henry VIII’s younger sister Mary Tudor, and as Jane was the eldest of Lady Frances’ three daughters, she had a claim to the throne of England. Henry VIII’s will stipulated that the throne should go to his only son, Edward VI, and if Edward died without an heir it should then go to Henry’s daughters Mary and Elizabeth, in that order. Alas, Henry’s marital entanglements provided ample scope for arguments over the succession, as both Mary and Elizabeth had been declared illegitimate when Henry had been trying to get rid of their respective mothers. When Edward died childless in July 1553, a group of powerful noblemen led by John Dudley, Duke of Northumberland, decided to proclaim Jane Queen of England. The success of the scheme depended on imprisoning Mary, but Mary was warned of the plot, raised an army and marched on London. Jane was now caught between two factions. Other people’s schemes had brought her into peril of her life.

The tagline on the cover says, “If you don’t cry at the end, you have a heart of stone.” Lady Jane Grey’s tragedy is so cruel that the straight facts have a fair chance of bringing a tear to the eye, and Innocent Traitor takes the facts and mildly dramatises them.

Innocent Traitor uses an unusual narrative device, telling Jane’s story through multiple first-person narrators. This has the advantage that the reader gets a more rounded view than would be possible with a single narrator, and occasional amusing sidelines as various characters show what they really think of each other. On the downside, I found that most of the narrators had a tendency to sound the same, possibly because almost all of them are aristocratic women. (This might also account for the rather frequent descriptions of clothes etc). I had to keep backtracking to the chapter headings to remind myself who was talking.

Another quirk of the writing style is the use of present tense for almost the entire novel. This had a distancing effect for me, as if the characters weren’t living through their experiences at all but were telling someone about them. Somehow, having a woman enduring a three-day fatal childbirth narrating in fully grammatical complete sentences didn’t convey her agony very effectively to me. This sense of distance was compounded by the astonishing self-awareness displayed by every narrator. No confused human emotions here; everyone seems to know exactly what they did and why they did it, as if they are giving some sort of statement to the Recording Angel. The use of present tense may also contribute to the even pace of the novel, which seems to amble along at much the same tempo in the crowded days of Jane’s short reign as it did when describing her upbringing and education.

Innocent Traitor does an excellent job of conveying the sense of Jane as a political pawn. Literally from the moment of her birth, somebody is scheming to use her for their own advancement. If it isn’t her parents, it’s Thomas Seymour or the Duke of Northumberland. Jane makes some of her own choices (such as her refusal to convert to Catholicism in prison), but the choices she is given are of other people’s making.

Jane is the central character and one of the main narrators, and the novel makes an attempt to develop her as a character without falling into the trap of making her a saint. Jane’s courage is admirable, but her refusal to compromise even on small things is irritating. She makes a moral issue out of everything, for example insisting on wearing black when her mother and Princess Mary want her to wear bright colours. From a very early age she displays not only a precocious intellect but also a prudish distaste for anything to do with sex and childbirth, and seems to have few interests outside her studies. No wonder people found her difficult to deal with! Her mother treats Jane with excessive harshness, but one can understand how frustrating it might have been for her trying to train Jane up to be someone’s wife, mother and mistress of a great estate. The author comments on this in the Author’s Note, observing that Jane is “a very modern heroine”. She certainly seems out of her time, though it seems to me a great pity that Jane could not have become one of the formidable scholar-abbesses familiar from previous centuries, a role which might have fitted her admirably.

In her religious dogmatism, Jane is in many ways the mirror image of Mary. This raises the intriguing question of what sort of a Queen Jane would have made if history had worked out differently. With her uncompromising views and conviction that she was always right, would she have ruled harshly and been remembered as unfavourably as Mary has been? Certainly Jane as portrayed here does not seem to have the flexibility or political cunning that would have been needed to make her an effective ruler. Like Mary she won’t bend, she can only break.

The novel is closely focussed on female characters. The only male narrator with a significant amount to say is John Dudley, the Duke of Northumberland, who is a cold-hearted villain with apparently no scruples and not much in the way of redeeming features. It would have been interesting to hear from some of the other men in the story, such as Jane’s father (whose rebellion sealed her fate) and her unwanted husband Guilford Dudley (whose portrayal is so one-sided as to make me wonder about his side of the story). In particular, I would have liked to see and hear more from Dr Feckenham, the Roman Catholic priest and scholar who tries and fails to persuade Jane to change her religious views and save her own life (Though since Jane’s death was the price of Mary’s marriage to Philip of Spain, one has to wonder if a reprieve could really have been possible). He seems to have genuine warmth and humanity, commenting to Jane that “an old man such as I has learned to question his convictions”. I wonder what he thought of the whole unfolding tragedy.

Straightforward retelling of the tragic story of Lady Jane Grey.
PATHS OF EXILE - love, war, honour and betrayal in Anglo-Saxon Northumbria
Editor's Choice, Historical Novels Review, August 2009
Now available as e-book on Amazon Kindleand in Kindle, Epub (Nook, Sony Reader), Palm and other formats on Smashwords
Website: http://www.carlanayland.org
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Post by annis » Tue July 5th, 2011, 10:43 pm

This is the only one of Alison Weir's historical novels which really works for me. She does a good job of conveying Jane's vulnerability and the inevitability of her fate. Perhaps Weir is indicating her belief that Jane's rather narrow and blinkered religious dogmatism was one of the few ways she had of exercising some control over her own life. Her intellectual ability is one area where she knows she doesn't disappoint. She does seem to have been more suited to the role of scholar-abbess than monarch, unlike Elizabeth, whose formidable yet flexible intellect seemed perfectly designed for dealing with the pragmatic realities of power and politics.

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